ImportCDs 44/876 CD Pop rock

Sting & Shaggy
ImportCDs 44/876 CD Pop rock

17,49 EUR
(1kg = 583,00 EUR)
más gastos de envío y aduanas
CD
Interscope
Lanzado en: 20/04/2018
Los gastos de envío se reducen al mínimo.
14 visitantes
estás mirando este artículo
Entrega a US en: 9-13 días laborales (recuperación del stock)
Rango de ventas: #112969 en Otros de Pop
#116598 en Pop
Estilo: Otros de Pop
Número de artículo: 2098183151

Comparar con artículos similares

Artículos
ImportCDs 44/876 CD Pop rock
  "Sting & Shaggy-ImportCDs 44/876 CD Pop rock-Interscope-CD" "Status Quo-Live in Hammersmith 1979-Demon-CD" "Empire Of The Sun-Walking On A Dream (mustard yellow LP)-Emi-LP" "Neurosis-An Undying Love For A Burning World-NEUROT RECORDINGS/Cargo-CD" "Bibb, Eric-One Mississippi-REPUTE REC-CD"
 
Número de artículo20981831512101830269210114520621018473652101789785
En oferta desde09.03.201805.03.202606.04.202401.04.202606.05.2026
Precio17,49 EUR33,99 EUR34,39 EUR14,99 EUR11,69 EUR
Peso0.12kg0.27kg0.46kg0.15kg0.12kg
FabricanteInterscopeDemonEmiNEUROT RECORDINGS/CargoREPUTE REC
CategoríaCDCDLPCDCD

Otros productos interesantes en Otros de Pop

Accesorios

Descripción:

Comentarios / Titulos de las canciónes:
MP3 Audio audición libre 01. "44/876"
MP3 Audio audición libre 02. "Morning Is Coming"
MP3 Audio audición libre 03. "Waiting For The Break Of Day"
MP3 Audio audición libre 04. "Gotta Get Back My Baby"
MP3 Audio audición libre 05. "Don't Make Me Wait"
MP3 Audio audición libre 06. "Just One Lifetime"
MP3 Audio audición libre 07. "22nd Street"
MP3 Audio audición libre 08. "Dreaming In The U.S.A."
MP3 Audio audición libre 09. "Crooked Tree"
MP3 Audio audición libre 10. "To Love And Be Loved"
MP3 Audio audición libre 11. "Sad Trombone"
MP3 Audio audición libre 12. "Night Shift"
Informaciones adicionales: Ft. Shaggy
Descripción:2018 release, a collaboration between former Police frontman and solo superstar Sting and Jamaican singer/songwriter Shaggy. The island-influenced album reflects their mutual love of Jamaica - it's music, the spirit of it's people and vibrancy of it's culture. Sting and Shaggy wrote and jammed together for a few weeks in New York City, creating music that seamlessly blends Caribbean rhythms-in traditional and modern styles-with pop craftsmanship and rock energy., Runningtime: 00:00:00, Engineer: Grant Valentine, Engineer: Robert Orton, Engineer: Tony Lake, Executive-Producer: Martin Kierszenbaum, Mastered By: Gene Grimaldi, Featuring: Aidonia, Featuring: Morgan Heritage, Labelcode 6747382 (B0028176-02), Recorded At Ranch Studios, Recorded At Sear Sound, Mastered At Oasis Mastering, Glass Mastered At CDA ImPressing Solutions, USA
"44/876" es un álbum colaborativo entre Sting y Shaggy editado en formato CD por el sello discográfico Interscope Records. Este trabajo destaca por su fusión única de ritmos reggae con elementos del pop y sonidos caribeños modernos que reflejan las trayectorias singulares de ambos artistas: canciones como 'Don't Make Me Wait' demuestran una química musical vibrante y auténtica colaboración artística entre dos leyendas internacionales de la música popular contemporánea. Sting alcanzó fama mundial como líder del grupo The Police antes de consolidarse como solista multipremiado con varios premios Grammy gracias a su talento compositivo e interpretativo; mientras tanto, el jamaiquino Shaggy aporta su característico estilo dancehall-reggae tras éxitos globales como 'It Wasn't Me' o 'Angel'. Juntos logran en '44/876' transmitir alegría y unidad cultural mediante melodías pegadizas y letras optimistas sobre hermandad universal e integración creativa internacionalmente reconocida por crítica y público alike (por igual). El fabricante estadounidense Interscope se distingue desde hace décadas por impulsar carreras musicales influyentes dentro del panorama mundial abarcando géneros tan diversos como el rock alternativo hasta el hip hop o la electrónica más actual.
N° de títulos: 13
N° de fabricante: 6747382
Seguridad del producto

Especificaciones técnicas

Idioma:

Empaquetado

Tipo de embalajeCaja transparente para CD

Características

Tipo de medioCD
Tipo de distribuciónSoporte físico
Títulos de cancionesDisc 1: 1 44/876 2 Morning Is Coming 3 Waiting For The Break Of Day 4 Gotta Get Back My Baby 5 Don'T Make Me Wait 6 Just One Lifetime 7 22Nd Street 8 Dreaming In The U.S.A. 9 Crooked Tree 10 To Love And Be Loved 11 Sad Trombone 12 Night Shift
Número de discos ópticos1 discos
GéneroPop rock
Fecha de lanzamiento (dd/mm/aa)19/04/2018
Audiencia objetivoAdulto

Otros productos de Interscope

Mostrar todos los resultados
Clientes que compraron este producto, también han comprado los siguientes productos

Evaluación de productos

Escribir una revisión
English Alexander S. - 21/06/2020 5 de 5 estrellas!
CD, which was recorded by British star Sting and American star of Jamaican music Shaggy, was not built on the basis of the duet principle. The singers enter the compositions in turn, each in their own style. But there is no doubt who is in charge here. This is sting. He is always looking for - he will record a rock album, then he will work with a DJ, and his melodies sound beautifully with a rock band and accompanied by a symphony orchestra. In different styles I heard the ex-"cop". The musician has long been able to balance on the verge of styles and genres - his pop hits are just as convincing as his art concepts. The new work says that Sting understands: sometimes you need to do something that brought him fame - a beautiful, transparent and smart art pop. And he tries to make it fresher and more interesting. About Sting used to think that he tirelessly repeats himself beloved, and does it successfully and not boring. However, this time he takes a step towards easier perception. And here Shaggy really helped the Briton. They are truly equal, their colors complement, but do not obscure each other. Shaggy is close to Caribbean culture and rap, but reggae is at the forefront. Vocal data is right in time with the melodies, and we get a heart-to-heart conversation. The songs immediately seem beautiful - as always, but how long have you been listening to Sting's new big hit? Such that for years, for all ages and tastes. There are two of them on this disk! Closer to the end of the track list, “Crooked Tree” appears - and has every chance of getting into future “bests”. Add “Sad Trombone” to it - Clark Gaiton plays the instrument from the name. This topic, perhaps, claims to be the new “Moon Over Bourbon Street”. Old comrades, instrumental stars - guitarist Dominic Miller, saxophonist Brandford Marsalis, pianist Jeffrey Kizer, fall perfectly in the yard. However, other things were announced as hits on the album sticker, and other names were mentioned among collaborators ... Civilization is looking for new points of support. A bit about the details. The cover hints at the steepness of the musicians - they say, oh, I’ll pump it! But the music says that these guys gathered, perhaps, on the beach, or, in extreme cases, for a beer. The producer Martin Kirshenbaum actively participated in the work, who has a huge track record - from Lady Gaga to Mylene Farmer, from Tokio Hotel to t.A.T.u. The “mysterious” name of the album is deciphered very simply - these are the telephone codes of the UK (44) and Jamaica (876). So the artists conveyed greetings to their homelands.

English Ivan K. - 18/09/2018 4 de 5 estrellas!
Something that has not been heard for a long time of merry music from the romantic Sting. Then he goes headlong into folk music, then almost to the symphonic classics. Whether the age is either the mood is not the same, and then remembered the youth of the past ...... And this year the stars came together, somehow Sting (when he was working solo and with "Police" in the genre of "reggae") recorded the album together with the American singer and musician Shaggy (the pseudonym of musician Orville Richard Burrell, a native of Jamaica). Shaggy ("Shaggy") is one of the followers of the traditions of the reggae music of the Jamaican "spill"). The joint work is inspired by the music of the late 80's and early 90's, when the melodism was more important than the rhythm.